Sony A6300 Camera Black Friday 2021 and Cyber Monday Deals: The A7 cameras, especially the later Mark II models, maybe appear to be the brighter stars at the Sony mirrorless firmament, but the A6300 definitely deserves a place here as the more streamlined — and essentially cheaper — alternative. Only the original A7 prices less and also the A6300 is, of course, a far newer model including all the enhancements and improvements this brings.
Panasonic’s GX8 is cheaper too, but it does not have the identical video capacities and, although it’s becoming less of a problem nowadays, its sensor is smaller. The GX8 handles better and is more straightforward ergonomically, but the A6300’s niggles here are largely minor and, as a comprehensive package, it’s equally as desired with superior autofocusing and somewhat faster continuous shooting.
Fujifilm’s X-E2S is arguably the closest’APS-C’ rival and also Sony outshoots it in quite a few locations, such as by being more compact. What about lenses? Well, it is accurate Sony has been putting most of its efforts of recent times into the FE size bracket (which is harmonious, but these lenses are somewhat bulkier), however the dedicated’APS-C’ E-mount system is really extensive and there’s some Zeiss models too, so the decision is great, although it lacks the’exotica’ starting to turn up in other mirrorless systems. Nevertheless, the A6300 remains well served as far as lenses are concerned.
Besides the lack of touchscreen controls (which likely won’t be a problem for some people), the Sony A6300 is an exceptionally capable camera that’s well equipped to have similar enthusiast-level D-SLRs.
Together with the full-35mm detector Alpha 7 Series cameras continuing to the catch the headlines, it’s easy to forget Sony’s actions in the’APS-C’ format with its original E-mount cameras. Ahead of the A7s arrived, the NEX cameras (Sony has now unified all its interchangeable lens goods under the’Alpha’ title ) represented exactly what the mirrorless layout was about… ultra-compact and highly capable.
The good thing is that the soul of this NEX-7 lives on in the A6300, the brand new E-mount flagship that packs a lot of to its slimline RF-style weather-sealed magnesium metal body shell despite its size, the A6300 still manages to accommodate the EVF, pop-up hoot shoe actually Sony’s’Multi Interface’ coupling so it could drive other accessories), a tilt-adjustable LCD monitor screen with a 16:9 aspect ratio, along with dial-based controllability.
There’s also a good-sized handgrip — using a thumb rest (which conveniently incorporates the video start/stop button) — along with the EVF’s eyepiece includes a significant shade so it’s one of the few we’ve encountered to not have problems with stray light. The viewfinder itself can be comfy sized and utilizes a 2.359 mega dots OLED-type panel which refreshes at 100 fps so there is no lag. A proximity detector in the eyepiece allows for automatic switching between the EVF and the screen display, but both can be run individually and independently when so wanted.
Both EVF and track are adjustable for brightness and the former also for color temperature. The monitor screen has a modification known as’Gamma Display Adjust’ which provides a color corrected preview once the level, low-contrast S-Log profiles are used to take video. It is worth mentioning that the A6300 is as capable a video camera since it’s a stills camera, and that element of its performance is covered individually in the Making Pictures info below.
A bit surprising is the absence of touchscreen controls that means navigating the menus and settings in the traditional way. There is a primary mode dial, needless to say, along with the key capture settings are readily reachable via external controls plus there is eight customisable buttons (with over 60 assignable functions for each) and also the choice of producing an’Fn menu’ of up to 12 regularly-used settings.
The monitor screen is set to provide an extremely extensive info display which includes both a real-time histogram and dual-axis level index. Both are also available from the live view display (EVF and monitor), along with a choice of three guide grids. You can also decide to have the previewing of configurations such as white balance or specific effects switched off or on.
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